Poets Inside
Selections from Jon Anderson and Steve Straight
The Scope
Lesson
Standing by the side of the road in Jenner, California,
hitchhiking. At least that is the idea.
So few cars pass that one may not stop today.
It’s sunny. Goats dispersed across the hillside behind me
chew their way up the green hill gradually, attentive.
The sea breeze carries phrases of seagull chatter
from below a cliff. In my pack are clothes, water,
oranges, three loaves of sourdough, peanuts, cheese.
Hung below the pack, a tent. I peel an orange,
tucking the continents of rind into a loose pocket.
Drops of juice fall onto the sand and on my boots.
A bee lands on the lip of a yellow blossom and walks
inside it. It emerges, dusted with pollen, drunk,
surprised by the generosity of light.
— Steve Straight
from “The Water Carrier”
The Water Carrier
Lugging the forty-eight-pound Poland Spring water jug up from the cellar,
it strikes me how much of my life is spent transporting water.
How many gallons of it carried to the garden, to the flower beds, to bushes
and trees, lately with blue grains of fertilizer
dissolved in it, trip after trip to the linden tree, trying
to restore its vigor. How many pots of pasta water
lifted from stove to sink, how many cups of lemon tea
delivered to my wife over twenty-five hundred days of marriage.
My wife, an Aquarian, reminds me that nothing compares
to the out and out hauling by women and other slaves
over the centuries, for cooking, washing, bathing,
slopping, drinking. Tons of it per person per life,
a life stooped and shortened by it. I see films
of people yoked between pails of it and feel sorry
when it spills over the sides in the normal rhythm
of walking, all that spilled having to be carried again.
The Buddhists tell us it all comes down to that
and chopping wood. Carry it only to carry it,
mindful of the watering can handle’s convexness
and smoothness, the way the Poland Spring jug
hugs my chest, the lemon and honey steam
rising from the tea. No mistake.
Seventy-five percent of us is liquid, of course,
in that perfect proportion we share with the Earth
and the water it carries through space. I log the miles
with it every day, have cameled it across the Mojave
in an air-conditioned Dodge, kayaked it down a stretch
of the Connecticut, carried more than my share of it
soaked to the bone in the Burren, in County Clare,
wondering why the Earth needed it moved a few more miles
of Ireland in my hat and hair, my shirt, pants, and shoes.
I’ve spent sick days, too, moving it only from
the hot side of the bed to the cool one, sweating,
and reminding myself of the funny dictum to force fluids,
my favorite by far the homemade orangeade
my mother brought me during bouts of tonsillitis.
Most days I slake my important thirst at water coolers
in hallways, or from the big glass pitcher of sun tea
my wife has squeezed a lemon into, whenever
my internal dipstick reads “add.”
And what about the thickets behind left fields,
the edges of woods along highways, the sides of trees
and railroad tracks in moonlight where I have left it,
lightened my load, as they say. That I was meant to deliver it
then and there is yet another argument for design. And
although I can’t transport it like the albatross over
thousands of miles of ocean, or the great thunderclouds
bowling overhead, sucking it from the earth and racing it
across vast expanses of sky, I am one of the many small
but efficient vessels on the planet, respirators. Even
now in my next exhalation I send some vapor forth,
on its way to become the next cloud.
— Steve Straight
from “The Water Carrier”
Postcard from Chimney Pond
Climbed the talus around the pond last night—so many pebbles
around a puddle from the views of Baxter Peak, but down here
chunks of granite as big as the small house I grew up in, all
jumbled, jutting out of cold, clear water and piled up towards
the stars. Silent lightning split the sky far north. Scrambled
as far up the rock throat as I safely could and then some.
Slept beneath the cliffs. Had a dream of you so real that
for a long time after waking up, it felt good to have seen you again
— Jon Andersen
from “Stomp and Sing”
You Must
You must have a hope
that will let you stomp and sing
at any cold dawn.
You must not wait
to love the student who loves you
and would like to kill you.
You must read the story again
and again to the child
who receives you with a bovine stare.
You must get up
every day to punch in
not dreaming on transcendence,
not desiring new heroes or gods,
not looking the other way,
but looking for the other way
and ready to talk to everyone on the line.
You must not wait
for official approval
nor general consensus
to rage. You must
come again to kneel
in shiny, rock-strewn soil
not to pray, but to plant.
Yes, even now
as ice caps melt and black top
goes soft in the sun
you must prepare for the harvest.
— Jon Andersen
from “Stomp and Sing”
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